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Painting: Madonna witch Child

Painting ID: 83073

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Pieter van Aelst Madonna witch Child

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Pieter van Aelst:
(August 14, 1502 - December 6, 1550) was a Flemish painter. He studied under Bernaert van Orley and later lived in Italy before entering the Antwerp Guild of painters in 1527. In 1533, he travelled to Constantinople for one year in a failed attempt to establish business connections for his tapestry works. Van Aelst established a studio in Brussels in 1544, where he created paintings and tapestries. His students include Gillis van Coninxloo, Willem Key, Hans Vredeman de Vries, Michiel Coxcie, and possibly Pieter Brueghel the Elder, who did eventually marry van Aelst's daughter, Mayken. His second wife, Mayken Verhulst, was an artist as well, and, according to Carel van Mander, the first teacher of her grandchildren, Pieter Brueghel the Younger and Jan Brueghel the Elder. He was also the uncle of Joachim Bueckelaer. Van Aelst's studio is also well known for its engraved works. In particular, van Aelst is noted for his 1539 translation of Sebastiano Serlio's architectural treatise, Architettura, which is credited with having played a crucial role in spreading Renaissance ideas to the Low Countries and hastening the transition from the late Gothic style prevalent in the area at the time. He was in charge of the spectacular decorations for the 1549 Royal entry into Antwerp of Philip II of Spain, "the most famous entry of the century", according to Roy Strong.

Related Paintings to Pieter van Aelst :.
| Claude Monet 011 | Pietro da Cortona (1596-1669)-Bust of a Young Woman Turned to th | Philippe Jacques de Loutherbourg by Philippe Jacques de Loutherbourg | Sir Watkin Williams Wynn, 3rd Bt by Michael Dahl | Diego Velazquez -- Portrait of Philip IV | | Giorification of the Rule of Urban Vii (nn03) | femme au jupon rouge | Still life of roses,tulips,chyrsanthemums and cornflowers,in a wicker basket,upon a ledge | Still life floral, all kinds of reality flowers oil painting 35 | One of a project set of four landscapes depicting times of the day, |


 


 

 

 

 

 

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Pieter van Aelst